Or:
A Fanboy's Dilemma
Quick side-note (or pre-note, or whatever): Even if you don't give a damn about the Watchmen phenomenon, skip to the end of this post where I critique a strange Asian alcohol ad.
Megan and I went and saw Watchmen today on a brand new Imax screen in a beautiful building with an incredible sound system and super-comfy chairs. If you have a chance to see a film at the Garden Walk in Anaheim, do it. I want you to know that I've never been huge into comics or graphic novels, have never read anything else by Alan Moore, and have never even been big into comic-to-movie adaptations. A friend from work lent me the book to read after I told him how great the trailer looked. I was, at the time, totally unaware of the massive following and cult-like love of this work. I plowed through the book (yeah, I'm calling it a book. Without going into detail, the amount of work that went into this work of art rivals many novels written today) in 2 days and was, at that point, even more excited for the movie.
If you haven't read Watchmen, you would be doing yourself a favor to do so. Even if you're not into graphic novels and have never picked one up in your life. Looking passed the exceptional art, the amazing writing, and all the costumed heroes is a story of an alternate history that our country could easily have gone through with a few simple (and even feasible) changes (ok, fine, aside from Dr. Manhattan). Moore creates a world in which all moral and ethical lines are blurred, metaphysics and our understanding of time and creation are brought into question, and art and real life imitate each other in ways that are creepily relatable to our actual world today. Somewhere in the midst of stories-within-stories, real life issues (such as impotence), and love and fraternity fraught with peril and deception, I lost myself in a make believe world that I grew to love.
Don't worry, all this setup is going somewhere.
The film, in my opinion, did an incredible job at taking amazingly dense material and turning it into a film that captured almost every necessary aspect of the story as possible. This is a feat which would scare me senseless if I were the one put to the task. The film pulled no punches, respected the original work to a worship-like degree, and captured the spirit of what Moore wanted to say (once more, this is all in my opinion. Many would disagree with me).
As I tried to understand the disparity in opinions (RottenTomatoes currently has the film at a meager 65%), I came to a conclusion: the subjective opinion of the film is directly related to the viewer's expectations. Hold on, don't laugh and control-q this post yet. Hear me out. This movie is somewhat unique in the "expectation" theory I just began explaining. If I am going to see The Dark Knight I have certain expectations: Batman should be similar in most respects to the actual character; there should be some amazing action; there should be some sort of moral choice that tests Batman; and the world of Batman should stay at least somewhat canon (e.g. Batman shouldn't suddenly and unexplainably have the gift of non-technologically-aided flight). Most everyone knows what they are getting into before going to see a Batman movie. If all those points are met, then the argument of whether the film is "good" will come down to artistic merit, acting skill, music choice, editing, etc, etc. Since nobody (hopefully) goes in to a Batman movie with the expectation of a feel-good romantic comedy full of personal redemption and maybe a goofy character to lighten things up with fart jokes and physical comedy, nobody walks out with their base expectations shattered.
Watchmen is a whole different consideration. Many people (in fact, I would say at least half, if not more) are going to see this movie based on the trailer alone. The trailer is pretty amazing...and if I were basing my expectations for the movie on the trailer, I would go in expecting a kick-ass action film full of awesome superheroes and mass amounts of mindless violence. If that was your expectation heading in to the film, Watchmen would be a major disappointment. I'm not trying to belittle the average action-film movie-goer; but if Transformers or any of the Riddick films are your cup of tea, metaphysical discussions, major human flaws, and governmental dealings with rogue vigilantes might not fulfill that deep desire for blood and guts.
I've talked to every person who I know who has seen the film; and questions lead to one of two outcomes:
Me: So, what did you think of Watchmen?
P1: It was amazing, I was totally blown away.
Me: Have you read the book?
P1: Yeah, I loved it.
Or...
Me: So, what did you think of Watchmen?
P2: Um, it was ok. I was kinda disappointed.
Me: Have you read the book?
P2: No.
Seriously, without fail, those who loved the movie have read the book, and those who were less than impressed have not. But wait, my point is not that those who have not read the book can't like the film, or that they are not capable of liking the film, or even that their not having read it invalidates their opinion. This realization has brought me to an interesting, if not confusing, crossroads:
Is a piece of art that seemingly cannot be appropriately enjoyed by those who do not have some sort of previous knowledge of the art-piece good art?
For example, Donnie Darko is one of my favorite films. It was from the start. But the more I delved into the online information of the film, the more I stumbled across extra material put out there by the director. Fake books "written" by characters from the film. Puzzles to solve that explained some of the mysteries. In the end, I had this amazing understanding of the intricacies of the film that few had. Many claimed that the film was partially incoherent and therefore unenjoyable. I tried to explain what I had found; but the common response was, "If the movie itself doesn't tell me all I need to know, it failed in its message." And trust me, I see that point of view.
But with Watchmen I am sympathetic. There is simply so much to the original book that this attempt seems epic and amazing to me on every level. And I can't help but think that with even a cursory reading of the original material, the movie would be enjoyed that much more. At the same time, there is something to be said about making something accessible to everyone whether or not they have previously read the source material.
Last example, and then a conclusion (before a really fun/funny Asian ad): If I go to an art museum and look at a painting, I can have multiple experiences. For example, I look at a Lochener painting like this:
I can have two reactions. The first is the uninformed reaction of like or dislike (usually based on color, or topic, or the artist's talent). The other reaction is the educated reaction that puts aside those aesthetic considerations to admire the use of the golden ratio, the triangle, the pentagram, the symbolism of the placement of the angels and how focus is drawn to the Christ-child, etc. After that admiration, those other considerations (color, talent, etc) can be incorporated into the decision of whether or not the piece is a great work of art or not. Neither approach is better than the other; and neither approach is necessary to viewing the painting. But each method results in drastically differing outcomes of personal enjoyment of the piece.So my conclusion, what I've been trying to get at, is that Watchmen is a complicated piece of art. Few would say that the pacing, acting, timing, or visual effects are sub-par. In fact, most would say that the film is really amazing on those levels (if not other levels). This makes me think that if a greater understanding of the piece was had, that the intellectual value of the film, paired with the more obvious merits, makes this film something pretty special. I'm not going to judge Dostoevsky's Brother's Karamazov based on how fun it was to read; and I think that Watchmen should be approached from a view more elevated (read: intellectual) than that of the average action film.
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On THAT note...I ended up at a Korean BBQ joint at 4am the other night. It's a long story. Ask me sometime. Anyway, the place-mats had an ad for some kind of fruit-flavored alcohol that I found absolutely hilarious. Here are the pictures in sequential form (sorry for the lack of quality, I'm lacking a scanner):
Man stalks sealion on beach. Notice his Bear Gryll's like tactic of blending in by imitating the stalked animal.
Oh no! The sealion has spotted him. The only choice is to hold his ground and imply ferociousness!
FIGHT!
Exhausted, the enemies lay in the sand, contemplating their next moves.
Next move? Take shots with the enemy! We all know that fights between males always end in hugs, alcohol, and slurred comments like, "Nothing personal, man...I love you, man!"Seriously, we might find Japanese ads to be strange; but good lord do they have the upper-hand when it comes to something memorable. A man fights a sealion and ends up doing shots of some strange, fruity alcohol with it? Count me in!
